Our current Summer Program
July 5–22, 2027
The Jerusalem Lyric Opera Studio is established for the promotion of the art of opera, and the nurturing of young talent in Israel as well as from abroad, through intensive and individually tailored instruction by a renowned faculty of artists of international acclaim from the Teatro alla Scala Milano, Opéra National de Paris, Metropolitan Opera, Royal Opera House and Vienna Staatsoper, among others. Such complementary training is paramount for the successful transition of young singers from an academic setting onto the professional opera world. The program includes fully staged opera productions, an opera gala concert with orchestra, concerts of bel canto, French and baroque repertoire, voice lessons and coaching, as well as master classes with weekly-changing guest conductors, professors and coaches.
Our aim is to encourage mutual cultural dialogue amongst nations, creating innovative opportunities to enhance and promote opera as one of the highest forms of art and a universal language, and to motivate young artists by offering them the opportunity to further their careers and improve their professional technique — with real professional opportunities for employment in the musical world, and an international network involving further educational opportunities, musical training institutions, theaters and performances. We expect that our singers are vocally stable and ready for entry into the profession, be that into an opera studio, as a guest, or as a “fest” member of an opera ensemble. We look forward immensely to hearing from you!
A Real Career Pathway
Participation in our summer program offers more than professional training — it’s a proven pathway to a real stage career. We regularly invite top alumni to perform at our Summer Opera Festival as guest artists. That means successful participants gain a genuine chance to receive an on-festival offer — up to a contract engagement. Such invitations often become the first professional step in an international career: artists return to perform, take on new roles, work with the orchestra, and make contacts with directors and agents.
Opera productions are the most important part of the Summer Opera Studio. One to three casts of singers are selected for each opera production, and all selected singers receive highly professional training, including group and individual rehearsals with conductors and coaches. Each participant has the opportunity to perform a role in a production.
This season, the Summer Program stages the following productions:
Die Zauberflöte
Full-staged
Performed with Israeli professional orchestra
Audition Requirements ↓Orlando
Semi-staged
Performed with Israeli professional orchestra
Audition Requirements ↓Rigoletto
Full-staged
Performed with Israeli professional orchestra
Audition Requirements ↓To submit your application to the Summer Program, use the Apply button below and fill out the application form. You will receive an email confirming your application and giving you instructions related to your audition.
Live audition dates will be announced closer to the season.
For the recorded audition, submit a link to a YouTube video of your audition in the application form (a professional recording is preferable). You should submit an audition video with piano accompaniment or with orchestra.
Note: there is no deadline for recorded auditions, but early applying is recommended for early casting — the number of participants is limited.
The audition result letter is sent out regardless of the result. Casting usually starts in January and finishes in April — in special cases this may take longer. We appreciate your patience, and ask that you notify us of any changes in your plans to participate in the summer program.
Please prepare two contrasting arias of your choice (one in Italian). Applicants who would like to be considered for roles in the productions below should prepare the arias and extracts listed for their chosen role.
Die Zauberflöte
Wolfgang Amadeus Mozart
Full-staged · Performed with Israeli professional orchestra
Reference edition: Bärenreiter
| Role | Voice Type | Audition Repertoire |
|---|---|---|
| 1st armoured men | Tenor | Two opera arias should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| 1st child-spirit | Soprano | Two songs should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| 1st Lady | Soprano | Two opera arias should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| 1st priest | Tenor | Two opera arias should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| 2nd armoured men | Bass | Two opera arias should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| 2nd child-spirit | Mezzo | Two songs should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| 2nd Lady | Mezzo | Two opera arias should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| 2nd priest | Bass | Two opera arias should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| 3rd child-spirit | Mezzo | Two songs should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| 3rd Lady | Mezzo | Two opera arias should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| Chorus | All | Two opera arias should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| Monostatos | Tenor | “Alles fühlt der Liebe Freuden” |
| Pamina | Soprano | “Ah, ich fühls” |
| Papagena | Soprano | Two opera arias should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1750-1830 |
| Papageno | Baritone | “Der Vogelsänger bin ich ja”, “Ein Mädchen oder Weibchen wünscht Papageno sich” |
| Queen of the Night | Soprano | "O zittre nicht, mein lieber Sohn", ”Der Hölle Rache” |
| Tamino | Tenor | ”Dies Bildnis ist bezaubernd schön” |
| Zarastro | Bass | ”In diesen heil'gen Hallen,””O Isis und Osiris” |
Orlando
Georg Frideric Handel
Semi-staged · Performed with Israeli professional orchestra
Reference edition: Barenreiter Edition
| Role | Voice Type | Audition Repertoire |
|---|---|---|
| Angelica, Queen of Cathay | Soprano | Arias "Se fedel vuoi ch'io ti creda", "Cielo! Se tu il consenti" should be submitted via video links such as YouTube. |
| Dorinda, a shepherdess | Soprano | Aria "Amor e qual vento" should be submitted via video links such as YouTube. |
| Medoro, an African prince | Mezzo | Aria "Verdi allori" should be submitted via video links such as YouTube |
| Orlando, a knight | Countertenor | Arias "Fammi combattere", Non fu gia men forte Alcide" should be submitted via video links such as YouTube |
| Zoroastro, a magician | Bass | Aria "Sorge infausta una procella" should be submitted via video links such as YouTube. |
Rigoletto
Giuseppe Verdi
Full-staged · Performed with Israeli professional orchestra
Reference edition: Ricordi
| Role | Voice Type | Audition Repertoire |
|---|---|---|
| Count Ceprano | Bass | Two arias should be submitted via video links such as YouTube will be performed completely matching a compulsory repertoire spanning historical period 1830-early 20th century. |
| Count Monterone | Baritone | Two arias should be submitted via video links such as YouTube will be performed completely matching a compulsory repertoire spanning historical period 1830-early 20th century. |
| Countess Ceprano | Mezzo | Two arias should be submitted via video links such as YouTube will be performed completely matching a compulsory repertoire spanning historical period 1830-early 20th century. |
| Ensemble | All | One Italian aria should be submitted via video links such as YouTube will be performed completely matching a compulsory repertoire spanning historical period 1830-early 20th century. |
| Gilda | Soprano | Two arias- "Caro nome" and "Tutte le feste al temio" should be submitted via video links such as YouTube. |
| Giovanna | Mezzo | Two arias should be submitted via video links such as Youtube will be performed completely matching a compulsory repertoire spanning historical period 1830-early 20th century |
| Maddalena | Mezzo | Two arias should be submitted via video links such as YouTube will be performed completely matching a compulsory repertoire spanning historical period 1830-early 20th century. |
| Marullo | Baritone | Two arias should be submitted via video links such as YouTube will be performed completely matching a compulsory repertoire spanning historical period 1830-early 20th century. |
| Matteo Borsa | Tenor | Two arias should be submitted via video links such as YouTube will be performed completely matching a compulsory repertoire spanning historical period 1830-early 20th century. |
| Sparafucile | Bass | Two arias should be submitted via video links such as YouTube will be performed completely matching a compulsory repertoire spanning historical period 1830-early 20th century. |
The summer program is supported and subsidized by the Jerusalem Municipality and the Ministry of Culture and Sport in Israel, which allows us to keep tuition lower than similar programs in Israel and Europe.
| Application fee — recorded audition | €40 |
| Application fee — live audition | €25 (₪100) |
| Tuition — solo / understudy roles, full training | €1,250 |
| Tuition — ensemble track, with possibility of roles | €1,000 |
All tuition deposits are non-refundable under any circumstances.
A limited number of partial and full scholarships are available for participants demonstrating exceptional ability or particular need. In special cases, the Summer Program covers travel and accommodation expenses. To apply for a scholarship, please include a brief explanation of your request when filling out the application form.
Accommodation is not included in the tuition price and is not provided by the Summer Program. Participants arrange their own housing (we're happy to advise).
The Summer Program organizers reserve the right to change, amend, modify, suspend, continue or terminate all or any part of the Program, either in an individual case or in general, at any time without notice.
Meet the Team
Sofia Mazar
Artistic Director, Vocal Coach, Conductor, Musicologist
Markus Hollop
Casting & Artistic Production Officer, the Grand Théâtre de Genève
Alexander Kaimbacher
Professor, Anton Bruckner Privatuniversität, the Vienna State Opera School.
Adina Nitescu
Soprano, Voice teacher
Anna Sushon
Head of studies, Neue Oper Wien, conductor, coach
Patrick Baton
Conductor
Andrei Munteanu
Artistic Director, Yiddish State Theater in Bucharest,Romania
Ethan Schmeisser
Conductor
Adina Cocargeanu
Vocal Coach, "Ion Dacian" National Operetta and Musical Theater
Deividas Staponkus
Dean of the LMTA Faculty of Music
Larisa Tetuev
Soprano, Voice Teacher
Marina Levitt
Soprano, Voice Teacher